In between our yearly, week-long Festivals, we produce a series of performances, discussions, panels, visual art exhibits, screenings and other events around New York City as part of our IHRAF Series.
upcoming events in the IHRAF Series
Exiled in Africa will feature the poetry and work of exiled Zimbabwean poet, activist and magazine editor Mbizo Chirasha, as well as an introduction to ASODECOM, a grassroots community support organization in Burundi, particularly in the provinces of Ngozi, Bujumbura, Karusi and Kayanza. We will be speaking with both Mr. Chirasha and representatives of ASODECOM over the Internet during the evening.
As Mr. Chirasha said in his note to the International Human Rights Art Festival: "I ran out of my country, my country of my birth on the 4th of February 2017 into Zambia and then South African, then Swaziland, then Lesotho and then to where IAM NOW. I became one other victim among other victims targeted by the overzealous, shameless, dictatorial Mugabe Regime."
The evening will begin with a short video that Mr. Mbizo sent concerning his current situation, and then a reading about Mr. Mbizo's history and his poetry, by actor Jeorge Watson.
After this introduction to his work, we are planning to speak with Mr. Chirasha via Internet hook-up, from his current location of exile.
Apart from many other activities as a committed Zimbabwean poet, such as his activity as Outreach Agent for the Zimbabwe Book Development Council, and as Delegate of the Zimbabwe International Book Fair dispatched to the Goteborg International Book Fair in Sweden (in 2003), Mbizo Chirasha was a writer in residence in Egypt (in 2006), he was invited to participate in the UNESCO Photo Novel Writing Project in Tanzania (in 2009) and took part in the International Conference of African Culture Development in Ghana as a poet in residence (in 2009). He was also Producer/Coordinator of the I am the Artist project, an Artist-in-Residence program of the Zimbabwe Germany Society in collaboration with the Goethe Zentrum.
Mr. Mbizo is he editor of Tuck Magazine: http://tuckmagazine.com/…/zimbabwe-we-want-poetry-campaign…/
We will also be speaking with NDAYISENGA OSCAR of ASODECOM, about ASODECOM's work toward a Burundi free from violance and poverty, supporting enterpreneurshio and guaranteeing the well-being for each family in the fields of argiculture, health, education, human rights, and the environnement.
ASODECOM (Action Solidaire pour le Développement Communautaire) engages in human rights and development issues through programs, advice and advocacy. The multifaceted approach taken by ASODECOM is meant to meet the needs of the communities in which they work. Additionally, ASODECOM has special consultative status with UN Economic and Social Council (ECOSOC) and has developed a strong reputation for engaging in its work in an objective and apolitical manner. They have been awarded the Pan African Award for Entrepreneurship in Education for 2011, 2012 and 2013 by the international NGO "Teach a Man to Fish" and short listed for the Pan African Award for Entrepreneurship in Education for 2016 out of over 400 organisations considered.
PAST events in the IHRAF Series
October 15, 2017: Prologue to Progress: International Human Rights Art Festival @ Culture Project
Actor Kathleen Turner headlined an evening of art activism to inaugurate Culture Project's new space. This event was moved due to His Eminence Archbishop Timothy Cardinal Dolan censoring International Human Rights Art Festival, due to the LGBTQ content of two of the acts. A special shout-out to the Dramatist Guild, which found a new space for us (St. Ann and the Holy Trinity Church in Brooklyn), thereby safeguarding this important program, and assuring that Archbishop Dolan would not successfully submarine the event. Some press about the banning and subsequent reformulation of the event can be found here:
Kathleen Turner: performed a monologue concerning citizenship from the one-woman play Red Hot Patriot, about journalist Molly Ivins.
Thank You for Coming Out: Based on the details of a vulnerable and heartfelt coming-out story, improvisers made up a hilariously insightful and creative show on the spot.
Maybe Burke: performed a selection from from their Accidental Trans Anthems: A cabaret of songs you didn't know were meant for trans people!
Tom Tsai: In his solo "Filling Nothing", Tom reflected on an experience with prison inmates and dancing, in relation to his understanding of Breakin' culture and Hip Hop history.
Angela Polite: performed excerpts from MARY SPEAKS (a passion play). The life of biblical figure Mary, the mother of Jesus, is used to explore parallels in the history of black mothers and the loss of their sons from slavery to present day.
Alika Hope Until ALL Are Free, None Will Be: A message on freedom and hope sung through African-American spirituals and 20th century social justice songs.
Jacqueline Dugal shared a solo, Redux. The movement echoed compositional elements of deconstruction, segmentation, and elements of chance with structured improvisation. Radio and podcast excerpts echo themes of gender, systems, politics, culture, and belonging.
Climate Change Theatre Action: Appreciation, a monologue by Katie Pearl from this year’s collection of international short plays on climate, as part of Climate Change Theatre Action, performed by Peyton Lustig.
September 26, 2017- Dissolving Walls: Artistic conversation about current events in the Holy Land
Featuring Palestinian Filmmaker Wafa Jamil and Jewish-American Playwright Jessica Litwak
An evening of art, conversation, and culture which brought together Palestinian and Jewish-American perspectives on current events in the Holy Land. The evening showcased excerpts from Wafa Jamil's film Coffee for All Nations, with comments from Wafa via her home in Sweden, and Jessica Litwak's new short play The Wall, a personal and political response to the Israeli - Palestinian situation.
About the works:
Coffee for all Nations
In the year of 1948, Abed and his family were forced by the Israeli army to abandon their home in (Al-Walaja) village near Bethlehem and move to Dheisheh Refugee Camp. Resilient, Abed decides to go back to his land and live in a Kanani cave that he discovered until the end of his life. He plans to turn his new home into a coffee shop and transform his own tragedy into a project that will provide him an income and allow him to share his one true possession and a stunning view.
Abed’s brother, who spent 30 years at an Israeli prison was released. Despite of the good news, Abed was devastated by the Israeli demolishment of his 5000 years old cave.
Having crossed through the checkpoints many times, Litwak has a unique perspective on the Occupation and this human rights crisis. As an educator and theatre artist who has worked in Jenin, Hebron, Ramallah, Beit Jala and Nablus in the West Bank and who has deep relationships in and with Palestine she cannot support or condone Israeli actions. As a Jewish woman in the Arab world she grapples with the deeply felt paradoxes of heart and heritage, east and west, justice and peace. This short play uses poetry, humor, puppetry and diverse characters to give voice to an impossible problem that can only be survived through increased humanity, paradoxical curiosity, and artful expression.
Jessica Litwack discusses her play "The Wall" Palestinian filmmaker Wafa Jamil on Skple Jessica Litwack performs her play The Wall
July 13, 2017- Echoes of Incarceration: Documentaries & Discussion
Echoes of Incarceration is an award-winning documentary initiative produced by youth with incarcerated parents. The project explores the issue of mass incarceration and its effects on families, and creates documentary films told from the life experiences of the filmmakers themselves. The project seeks to train and empower young people to tell their stories and advocate for change. To date, their films have screened thousands of times in universities, prisons, and national conferences, we’ve partnered with Sesame Street, Upworthy, and screened our work at the White House.
The project is a collaboration between filmmaker Jeremy Robins and a group of non-profit organizations and advocates around the country. The process starts with intensive filmmaking and advocacy training for youth age 16-22. The crew then launches into production of documentary films under the guidance of a team of professional filmmakers and experts in the field of criminal justice. The ultimate goal is to give voice to one of the largest and most invisible social issues of our times, and to harness the intelligence, energy, and creativity of young people to rethink our understandings of crime and punishment.
The evening included a half-dozen of the short documentaries, plus a talk-back with filmmaker (and son of an incarcerated father) with Kharon Benson.